{"id":13984,"date":"2024-04-29T17:07:42","date_gmt":"2024-04-29T14:07:42","guid":{"rendered":"https:\/\/gazete.kastamonu.edu.tr\/?p=13984"},"modified":"2024-04-29T17:09:42","modified_gmt":"2024-04-29T14:09:42","slug":"kastamonu-universitesinde-kisisel-seramik-sergisi","status":"publish","type":"post","link":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/kastamonu-universitesinde-kisisel-seramik-sergisi\/","title":{"rendered":"Kastamonu \u00dcniversitesi\u2019nde Ki\u015fisel Seramik Sergisi"},"content":{"rendered":"\n

Do\u00e7. Dr. Kibar, serami\u011fe hobi olarak ba\u015flad\u0131\u011f\u0131n\u0131 ard\u0131ndan bu ilgisini akademik bir \u00e7al\u0131\u015fmaya d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fc anlat\u0131rken, seramik alan\u0131nda y\u00fcksek lisans\u0131n\u0131 tamamlad\u0131\u011f\u0131n\u0131 da bildirildi. Bu serginin y\u00fcksek lisans tezindeki eserler oldu\u011funu aktard\u0131. Y\u00fcksek lisans\u0131n\u0131n son d\u00f6neminde zihin felsefesinden \u00e7ok etkilendi\u011fini, bundan yola \u00e7\u0131karak zihin felsefesi ve serami\u011fi birle\u015ftirdi\u011fini s\u00f6yledi. \u00c7amurun esnek bir malzeme oldu\u011fundan ve bu y\u00f6n\u00fc ile insan beynine benzedi\u011finden bahsetti.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Do\u00e7. Dr. Kibar, \u00e7al\u0131\u015fmas\u0131 birka\u00e7 ana alt ba\u015fl\u0131ktan olu\u015fuyor. Do\u00e7. Dr. Kibar bu alt ba\u015fl\u0131klar\u0131n ilkinin birka\u00e7 felsefecinin zihinle ilgili g\u00f6r\u00fc\u015flerini, ikincisinin ise \u00e7ok farkl\u0131 denilen sanat\u00e7\u0131lar\u0131n beyinlerini ve son olarak beyin formunun kendisinde \u00e7a\u011fr\u0131\u015ft\u0131rd\u0131\u011f\u0131 d\u00fc\u015f\u00fcnceleri i\u00e7erdi\u011fini s\u00f6yledi.<\/p>\n\n\n\n

Mevlana\u2019n\u0131n “Hamd\u0131m, pi\u015ftim, yand\u0131m” s\u00f6z\u00fcnden ilham ald\u0131\u011f\u0131n\u0131 ve bu s\u00f6z\u00fcn serami\u011fi anlatt\u0131\u011f\u0131na dikkat \u00e7eken Do\u00e7. Dr. Kibar \u201c\u00d6nce ham ard\u0131ndan f\u0131r\u0131nda yak\u0131l\u0131yor ve kaskat\u0131 oluyor.\u201d diyerek beyin ve serami\u011fin benzerli\u011fine tekrar parmak bast\u0131.<\/p>\n\n\n\n

Do\u00e7. Dr. Kibar\u2019\u0131n eserleri \u015fu \u015fekilde:<\/p>\n\n\n\n

\u201cCevher\u201d isimli eser Aristoteles\u2019in t\u00f6z (cevher) g\u00f6r\u00fc\u015f\u00fcn\u00fc ve felsefedeki merkezi \u00f6nemini bir beyin tasar\u0131m\u0131 \u00fczerinde g\u00f6stermeye \u00e7al\u0131\u015f\u0131lmakta. Bu eserde sinir sisteminin d\u00fc\u011f\u00fcmlendi\u011fi beyin sap\u0131na cevher s\u00f6zc\u00fc\u011f\u00fcn\u00fcn Yunancas\u0131 yaz\u0131l\u0131.<\/p>\n\n\n\n

Hegel, evreni, do\u011fay\u0131, ya\u015fam\u0131, tarihi, insan\u0131, bilinci, k\u0131saca t\u00fcm varl\u0131\u011f\u0131 a\u00e7\u0131klamak i\u00e7in tin kavram\u0131n\u0131 kullanmakta. Tin yani eserin de ad\u0131 olan “Geist” serami\u011fe beynin farkl\u0131 par\u00e7alar\u0131n\u0131n, farkl\u0131 s\u0131rlarla renklendirerek tinin ve beynin hem par\u00e7al\u0131 hem b\u00fct\u00fcnsel yap\u0131s\u0131n\u0131 aktarmakta.<\/p>\n\n\n\n

 \u201cAkl\u0131n\u0131 kullanma cesareti g\u00f6ster!\u201d Kant\u2019\u0131n ak\u0131l ve \u00f6zg\u00fcrl\u00fck aras\u0131nda kurdu\u011fu ba\u011flant\u0131 i\u015flenerek, Ayd\u0131nlanma D\u00f6nemi, karanl\u0131\u011f\u0131n perdesinin y\u0131k\u0131lmas\u0131, insan akl\u0131n\u0131n \u0131\u015f\u0131kla ayd\u0131nlanmas\u0131 metaforuyla \u00f6zle\u015fti\u011finden bu \u00e7al\u0131\u015fma siyah beynin beyaz bir f\u0131r\u00e7a darbesi ile kesintiye u\u011framas\u0131n\u0131 resmediyor.<\/p>\n\n\n\n

\u201cTabula Rasa\u201d John Locke, zihnin bo\u015f bir levha oldu\u011funu s\u00f6ylemi\u015fti. Ak\u0131lda do\u011fu\u015ftan ideler olmad\u0131\u011f\u0131n\u0131, sonras\u0131nda zihinde var olan her \u015feyin deneyimle kazan\u0131ld\u0131\u011f\u0131n\u0131 anlatmak istemi\u015fti. Bu \u00e7al\u0131\u015fmada bo\u015f bir levha olarak tasarlanarak Locke\u2019un bu d\u00fc\u015f\u00fcncesine at\u0131fta bulunuldu.<\/p>\n\n\n\n

Descartes, zihin \u00fczerine yapt\u0131\u011f\u0131 sorgulamalar\u0131yla modern felsefenin milad\u0131 kabul edilmekte. \u201cD\u00fc\u015f\u00fcn\u00fcyorum \u00f6yleyse var\u0131m!\u201d bu s\u00f6z\u00fcyle Descartes, zihnin beyinden ayr\u0131 varl\u0131\u011f\u0131n\u0131 anlatmakta. Bu \u00e7al\u0131\u015fmada, Descartes\u2019a meydan okuyarak onun \u2018cogito ergo sum\u2019 ifadesi beyin \u00fczerine yaz\u0131ld\u0131 \u00e7\u00fcnk\u00fc beyni zihinsel fonksiyonlar\u0131n\u0131n merkezi olarak de\u011fil, bedenin bir par\u00e7as\u0131 olarak g\u00f6rmekte.<\/p>\n\n\n\n

\u201cSebzeler mi g\u00f6r\u00fcyorsunuz, beyin mi?\u201d Bu \u00e7al\u0131\u015fma, Giuseppe Arcimboldo\u2019nun \u00fcnl\u00fc meyve ve sebze tablosuna at\u0131fta bulunarak, hem par\u00e7alar\u0131 ve b\u00fct\u00fcn\u00fc ayr\u0131 ayr\u0131 g\u00f6rebilece\u011finiz hem de par\u00e7alar\u0131n b\u00fct\u00fcn\u00fc olu\u015fturdu\u011funu anlayabilece\u011finiz \u015fekilde haz\u0131rland\u0131.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201c\u00c7\u0131\u011fl\u0131k\u201d Edvard Munch\u2019un, \u00c7\u0131\u011fl\u0131k tablosu modern d\u00fcnyada insan\u0131n yabanc\u0131la\u015fmas\u0131n\u0131n ve bask\u0131c\u0131 rejimler alt\u0131nda s\u0131k\u0131\u015fm\u0131\u015fl\u0131\u011f\u0131n\u0131n tepkisi olarak okunur. Bu tasar\u0131m da onun zihninde bulunan \u00e7\u0131\u011fl\u0131\u011fa g\u00f6ndermede bulunuyor.
\u201cDali\u2019nin B\u0131y\u0131klar\u0131\u201d Bu eser, beynin alt k\u0131sm\u0131n\u0131n bir y\u00fcz\u00fc and\u0131rmas\u0131 ve Dali\u2019nin beyni olabilece\u011fini \u00e7a\u011fr\u0131\u015ft\u0131rmas\u0131 sonucu ortaya \u00e7\u0131kmakta.<\/p>\n\n\n\n

\u201c\u201cLouis Wain\u2019in Kedisi\u201d Dr. Walter Maclay, Louis Wain\u2019in, kedi \u00e7izimlerini kronolojik s\u0131raya dizerek, bu \u00e7izimleri Wain\u2019in \u015fizofrenisinin a\u011f\u0131rla\u015ft\u0131\u011f\u0131n\u0131 g\u00f6stermekte kulland\u0131. Pisikiyatrist Maclay\u2019in varsay\u0131mlar\u0131ndan yola \u00e7\u0131karak, Wain\u2019in beyninde bir kedinin b\u00f6yle yans\u0131mas\u0131 bulunabilece\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcrse ortaya bu tasar\u0131m \u00e7\u0131kard\u0131.<\/p>\n\n\n\n

\u201cY\u0131ld\u0131zl\u0131 Gece\u201d Vincent Van Gogh\u2019un, \u00fcnl\u00fc tablosu Y\u0131ld\u0131zl\u0131 Gece\u2019nin f\u0131r\u00e7a darbelerinin beyin k\u0131vr\u0131m\u0131na denk d\u00fc\u015ft\u00fc\u011f\u00fc bir tasar\u0131m sunuluyor.<\/p>\n\n\n\n

\u201cGuernica\u201d \u0130kinci D\u00fcnya Sava\u015f\u0131\u2019n\u0131n hem Picasso\u2019nun ruh halinde ve zihninde meydana getirdi\u011fi deh\u015feti hem de insanl\u0131k d\u00fc\u015f\u00fcncesinde neden oldu\u011fu y\u0131k\u0131m\u0131 beyin formu \u00fczerinde transfer bask\u0131 tekni\u011fi ile anlat\u0131yor.<\/p>\n\n\n\n

\u201cAdemin Yarat\u0131l\u0131\u015f\u0131\u201d Michelangelo\u2019nun bir eserinde, Tanr\u0131 fig\u00fcr\u00fc beynin i\u00e7erisinden \u00e7\u0131k\u0131yor gibi resmedili\u015fini transfer bask\u0131 tekni\u011fi ile beyin \u00fczerine aktar\u0131l\u0131yor.<\/p>\n\n\n\n

 \u201cElim Kolum Ba\u011fl\u0131\u201d Kim Noble, \u00e7ocukken u\u011frad\u0131\u011f\u0131 istismar nedeniyle ya\u015fad\u0131\u011f\u0131 ki\u015filik b\u00f6l\u00fcnmesini ve y\u0131llar sonra ya\u015fad\u0131\u011f\u0131 travmalar\u0131 resimlerle aktar\u0131yor. Bu \u00e7al\u0131\u015fma Noble’\u0131n \u2018My Hands are Tied\u2019 adl\u0131 tablosunun s\u0131rla boyanmas\u0131 tekni\u011fiyle beyne i\u015flenmesinden olu\u015fuyor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cRengarek-1-2-3″ Sanat\u00e7\u0131n\u0131n, zihin beyindir felsefesini benimsemesinden dolay\u0131, bu \u00e7al\u0131\u015fma beyinde bilin\u00e7 i\u015flevi g\u00f6ren herhangi bir noktan\u0131n bulunmad\u0131\u011f\u0131n\u0131 aktar\u0131yor.<\/p>\n\n\n\n

\u201cMantar Kafas\u0131\u201d \u015fizofreni tan\u0131s\u0131 konan Yayoi Kusama d\u00fcnyay\u0131 normal zihinlerden farkl\u0131 alg\u0131l\u0131yor. Seramikten yap\u0131lan mantarlar, onun zihin d\u00fcnyas\u0131n\u0131n somut g\u00f6r\u00fcn\u00fc\u015fleri olabilece\u011fi d\u00fc\u015f\u00fcn\u00fclerek haz\u0131rland\u0131.<\/p>\n\n\n\n

\u201dKintsugi: Yaralar\u0131m\u0131 alt\u0131nla bezedim \u00e7\u00fcnk\u00fc onlarla var\u0131m\u201d Bu \u00e7al\u0131\u015fmaya yans\u0131t\u0131lan g\u00f6r\u00fc\u015f, Kintsugi ustalar\u0131, ak\u0131l hastal\u0131klar\u0131n\u0131 sanata d\u00f6n\u00fc\u015ft\u00fcrerek, yaralar\u0131n\u0131, k\u0131r\u0131klar\u0131n\u0131 gizlemek yerine \u00f6l\u00fcms\u00fcz eserlere g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n

\u201cHangi lob daha \u00e7ok ben?\u201d Beynin b\u00fct\u00fcnselli\u011fine ve par\u00e7alar\u0131na dikkat \u00e7eken \u00e7al\u0131\u015fmada her bir beyin par\u00e7as\u0131 farkl\u0131 renge boyan\u0131yor.<\/p>\n\n\n\n

\u201cAkan Beyin\u201d, \u201cAkan Zaman\u201d, \u201cEriyen Beyin\u201d Dali\u2019nin \u00e7al\u0131\u015fmalar\u0131ndan ilham al\u0131narak yap\u0131ld\u0131. Eserlerinin \u00e7a\u011fr\u0131\u015ft\u0131rd\u0131\u011f\u0131 \u015feyler, seramik beyinlerle aktar\u0131ld\u0131.<\/p>\n\n\n\n

\u201cBilin\u00e7 A\u00e7\u0131klan\u0131yor\u201d: Daniel Dennett, elle tutulmaz, g\u00f6zle g\u00f6r\u00fclmez olarak tarif etti\u011fimiz d\u00fc\u015f\u00fcncelerin bile beynin bir i\u015flevi ve maddi yan\u0131 oldu\u011funu ifade ediyor.<\/p>\n\n\n\n

 \u201cHindibalar \u00fcfledim\u201d Seramiklerde ayn\u0131 zamanlarda baz\u0131 ger\u00e7ek \u00f6geler kullan\u0131ld\u0131. Hindiba \u00e7i\u00e7e\u011fi, bu seramikte kullan\u0131l\u0131yor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cBilincin uzam\u0131\u201d Maurice Merlaue-Ponty, bilincin beyne ve beynin bir i\u015flevine indirgemesine kar\u015f\u0131 dursa da bilincin bedenle, davran\u0131\u015fla ve uzamla anla\u015f\u0131labilece\u011fini savunmakta. Frans\u0131z olmas\u0131na at\u0131fta bulunarak beyin Frans\u0131z bayra\u011f\u0131 renkleri ile boyand\u0131.<\/p>\n\n\n\n

\u201cB\u00fcrokratik g\u00f6r\u00fcn\u00fcml\u00fc curcuna-1-2″ Bu tabir zihnin beyin oldu\u011funu kan\u0131tlamaya \u00e7al\u0131\u015fan Daniel Dennett\u2019a ait. Tutarl\u0131 d\u00fc\u015f\u00fcncelerin ve davran\u0131\u015flar\u0131n ard\u0131nda bir curcuna var. Bu \u00e7al\u0131\u015fmada, \u00e7izgilerin ayn\u0131 y\u00f6nde devam etmesi, bu curcunan\u0131n b\u00fcrokratik i\u015fleyi\u015fini anlatmay\u0131 ama\u00e7l\u0131yor.<\/p>\n\n\n\n

 \u201cYemin ederim beynim s\u00fcnger gibi oldu!\u201d S\u00fcnger, seramiklerde kullan\u0131lan di\u011fer \u00f6gelerden biri. S\u00fcnger yap\u0131s\u0131 gere\u011fi a\u015f\u0131r\u0131 s\u0131ca\u011fa maruz kald\u0131\u011f\u0131nda eriyen bir madde olmas\u0131na ra\u011fmen birka\u00e7 malzeme ile muhafaza edilerek beyin ile b\u00fct\u00fcnl\u00fc\u011f\u00fc sa\u011flanarak, bu eserde varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n\n\n\n

 \u201cYar\u0131k beyin\u201d Beynim yar\u0131ld\u0131, gibi s\u00f6ylemlerden yola \u00e7\u0131kan bu eserde beynin tam ortas\u0131na bir b\u0131\u00e7ak sapl\u0131.<\/p>\n\n\n\n

\u201cFare beyin\u201d Beynin k\u0131vr\u0131mlar\u0131n\u0131n bir\u00e7ok \u015feye benzemesiyle beraber bir fareye de benzeterek b\u00f6yle bir \u00e7al\u0131\u015fma ortaya konuldu.<\/p>\n\n\n\n

 \u201cBilincin Azminin Da\u011f\u0131l\u0131\u015f\u0131\u201d Beyin k\u0131vr\u0131mlar\u0131n\u0131n, bir insan\u0131 \u00e7a\u011fr\u0131\u015ft\u0131rmas\u0131ndan dolay\u0131 bu seramik beyin ve insan \u015feklinde tasarland\u0131.<\/p>\n\n\n\n

\u201cFetus-1-2-3″  Da Vinci\u2019nin fet\u00fcs \u00e7izimleri beyin \u00fczerine ta\u015f\u0131narak insan beyninin insan ya\u015fam\u0131yla ilgili her \u015feyin ba\u015flang\u0131c\u0131, bir nevi rahim i\u015flevi g\u00f6rd\u00fc\u011f\u00fc anlat\u0131lmaya \u00e7al\u0131\u015f\u0131ld\u0131.<\/p>\n\n\n\n

\u201cVitrivious Adam-1-2-3″ Da Vinci, insan v\u00fccudunu bir dairenin ve karenin i\u00e7erisine yerle\u015ftirerek, insan v\u00fccudunun anatomisinin geometriyle uyumunu g\u00f6sterdi. \u0130nsan bedeninin anatomik yap\u0131s\u0131n\u0131 \u00e7izdi\u011fi eskizleri beyin formlar\u0131 \u00fczerinde tekrarland\u0131.<\/p>\n\n\n\n

\u201cD\u00fcnya \u00f6k\u00fcz\u00fcn boynuzlar\u0131nda\u201d Bu \u00e7al\u0131\u015fma, \u2018Hayvan ve insan beyni farkl\u0131 m\u0131d\u0131r?\u2019 sorunu \u00fczerine yap\u0131ld\u0131.<\/p>\n\n\n\n

\u201cHam beyin!\u201d Mevlana\u2019n\u0131n \u2018Hamd\u0131m, pi\u015ftim, yand\u0131m\u2019 c\u00fcmlesinden yola \u00e7\u0131k\u0131larak yap\u0131lan bir seramik beyin \u00e7al\u0131\u015fmas\u0131.<\/p>\n\n\n\n

\u201cDo\u011fa beyin\u201d Servi a\u011fac\u0131 yapra\u011f\u0131, seramiklerde kullan\u0131lan \u00f6gelerden en sonuncusu oldu.<\/p>\n\n\n\n

Haber\/Foto\u011fraf: Deniz Aydemir<\/p>\n","protected":false},"excerpt":{"rendered":"

Kastamonu \u00dcniversitesi, \u0130nsan ve Toplum Bilimleri Fak\u00fcltesi Felsefe B\u00f6l\u00fcm Ba\u015fkan Yard\u0131mc\u0131s\u0131 Do\u00e7. Dr. Sibel Kibar Kavu\u015f\u2019un haz\u0131rlad\u0131\u011f\u0131 \u201cDuyusal Farkl\u0131l\u0131klar\u0131n \u0130fade Arac\u0131 Olarak Seramik Beyinler\u201d adl\u0131 Ki\u015fisel Seramik Sergisi, G\u00fczel Sanatlar Fak\u00fcltesi’nde sergilendi.<\/p>\n","protected":false},"author":1,"featured_media":13921,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[304],"tags":[],"_links":{"self":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/13984"}],"collection":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=13984"}],"version-history":[{"count":5,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/13984\/revisions"}],"predecessor-version":[{"id":13990,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/13984\/revisions\/13990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/13921"}],"wp:attachment":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=13984"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=13984"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=13984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}