{"id":14390,"date":"2024-05-21T13:38:00","date_gmt":"2024-05-21T10:38:00","guid":{"rendered":"https:\/\/gazete.kastamonu.edu.tr\/?p=14390"},"modified":"2024-05-22T09:11:08","modified_gmt":"2024-05-22T06:11:08","slug":"turk-edebiyatinda-kadin-yazarlarin-seruveni","status":"publish","type":"post","link":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/turk-edebiyatinda-kadin-yazarlarin-seruveni\/","title":{"rendered":"\u2018\u2019T\u00fcrk Edebiyat\u0131nda Kad\u0131n Yazarlar\u0131n Ser\u00fcveni\u2019\u2019"},"content":{"rendered":"\n

Kastamonu \u00dcniversitesi Bilgehan Bilgili Merkez K\u00fct\u00fcphanesi\u2019nde, \u0130nsan ve Toplum Bilimleri Fak\u00fcltesi \u00c7a\u011fda\u015f T\u00fcrk Leh\u00e7eleri ve Edebiyatlar\u0131 B\u00f6l\u00fcm\u00fc ile Edebiyat ve Toplum \u00d6\u011frenci Toplulu\u011fu taraf\u0131ndan \u2018\u2019T\u00fcrk Edebiyat\u0131nda Kad\u0131n Yazarlar\u0131n Ser\u00fcveni\u2019\u2019 konferans\u0131 ger\u00e7ekle\u015ftirildi. Cemil Meri\u00e7 Konferans Salonu\u2019nda d\u00fczenlenen panel, sayg\u0131 duru\u015fu ve \u0130stiklal Mar\u015f\u0131\u2019n\u0131n okunmas\u0131 ile ba\u015flad\u0131. Konferansa akademisyenler ve bir\u00e7ok \u00f6\u011frenci kat\u0131ld\u0131.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00c7a\u011fda\u015f T\u00fcrk Leh\u00e7eleri ve Edebiyatlar\u0131 B\u00f6l\u00fcm Ba\u015fkan\u0131 Prof. Dr. Orhan S\u00f6ylemez, program\u0131n a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131n\u0131 yapt\u0131. Prof. Dr. S\u00f6ylemez, konu\u015fmac\u0131 konuk Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah ile ortak noktalar\u0131n\u0131n oldu\u011funu belirtti. Her ikisinin de Prof. Dr. \u0130nci Ergin\u00fcn’den doktora tez konular\u0131n\u0131 ve y\u00fcksek lisans tezlerini ald\u0131\u011f\u0131n\u0131 s\u00f6yledi. Konu\u015fmas\u0131n\u0131n ard\u0131ndan Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah’\u0131 sahneye davet etti.<\/p>\n\n\n\n

\u2018\u2019Kad\u0131nlar\u0131n edebi yarat\u0131c\u0131l\u0131klar\u0131n\u0131n do\u011fall\u0131kla ili\u015fkilendirilmesi bir kazan\u0131m de\u011fil, aksine bir de\u011fersizle\u015ftirme kabul\u00fcd\u00fcr”<\/strong><\/p>\n\n\n\n

Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah, bir s\u00fcredir kad\u0131n yazarlar ve feminizm \u00fczerine \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 belirtti. Prof. Dr. Argun\u015fah, edebiyat tarihinde kad\u0131nlar\u0131n yerinin en \u00e7ok ilgisini \u00e7eken konu oldu\u011funu s\u00f6yledi. Edebiyat tarihinde kad\u0131n yazarlar\u0131n neredeyse hi\u00e7 yer almamas\u0131n\u0131n ve onlara yeterince de\u011fer verilmemesinin kendisini \u00fczd\u00fc\u011f\u00fcn\u00fc ifade etti.<\/p>\n\n\n\n

Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah, edebiyat\u0131n kad\u0131nlar i\u00e7in i\u00e7 d\u00f6kme, kendini anlatma, bilin\u00e7lenme ve sanat yaratma arac\u0131 oldu\u011funu belirtti. Edebiyat\u0131n kad\u0131nlar i\u00e7in ilham kayna\u011f\u0131 ve \u00e7at\u0131\u015fma \u00f6znesi olarak iki role sahip oldu\u011funu s\u00f6yleyen Prof. Dr. Argun\u015fah, “Kad\u0131nlar\u0131n edebi yarat\u0131c\u0131l\u0131klar\u0131n\u0131n do\u011fall\u0131kla ili\u015fkilendirilmesi bir kazan\u0131m de\u011fil, aksine bir de\u011fersizle\u015ftirme kabul\u00fcd\u00fcr” dedi.<\/p>\n\n\n\n

Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah, kad\u0131nlar\u0131n edebiyat tarihinde g\u00f6r\u00fcnmez olmas\u0131n\u0131n, genellikle sanat\u0131n nesnesi olmalar\u0131na ba\u011fland\u0131\u011f\u0131n\u0131 ifade etti. “Sanat\u0131n ilham kayna\u011f\u0131 kad\u0131n ve a\u015fkt\u0131r, bu nedenle kad\u0131ndan sanat\u00e7\u0131 ya da \u015fair olmaz d\u00fc\u015f\u00fcncesi hakimdir” dedi. Kad\u0131n\u0131n biyolojik ve k\u00fclt\u00fcrel devaml\u0131l\u0131\u011f\u0131 sa\u011flama rol\u00fc nedeniyle s\u0131k\u0131 bir koruma alt\u0131nda oldu\u011funu, ancak bunun kad\u0131n\u0131n kendini ger\u00e7ekle\u015ftirmesinin \u00f6n\u00fcne engeller koydu\u011funu belirtti. Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah, a\u011f\u0131t, ninni ve masallar\u0131n \u00e7o\u011funlukla kad\u0131nlara ait oldu\u011funu vurgulad\u0131.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u2018\u2019Halk edebiyat\u00e7\u0131lar\u0131ndan okudu\u011fum makalelerinde ilgi \u00e7eki\u00e7i bir teori var. Mahlas\u0131 belli olmayan, ad\u0131 belli olmayan \u015fairler var. Bu \u015fairlerin b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131n kad\u0131n \u015fairlere ait oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcyor\u2019\u2019<\/strong><\/p>\n\n\n\n

Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah, Divan Edebiyat\u0131’ndaki kad\u0131n \u015fairleri tan\u0131tt\u0131. 15. y\u00fczy\u0131lda Zeyneb ve Mihri, 16. y\u00fczy\u0131lda Ay\u015fe Hubba, 17. y\u00fczy\u0131lda Afife Kad\u0131n, 18. y\u00fczy\u0131lda F\u0131tnat Z\u00fcbeyde ve 19. y\u00fczy\u0131lda Safvet, Leyla Han\u0131m, \u015eeref Han\u0131m ve F\u0131tnat Han\u0131m’\u0131 \u00f6rnek g\u00f6sterdi. 19. y\u00fczy\u0131lda modernle\u015fme d\u00f6neminde kad\u0131nlar\u0131n \u015fairlikten yazarl\u0131\u011fa ge\u00e7i\u015f yapt\u0131\u011f\u0131n\u0131 belirten Prof Dr. Argun\u015fah, bu s\u00fcrecin kad\u0131nlar\u0131n biyolojik ve k\u00fclt\u00fcrel babalar\u0131n\u0131n himayesi alt\u0131nda ge\u00e7ti\u011fini s\u00f6yledi. Kurumsal e\u011fitim, kad\u0131nlara y\u00f6nelik yay\u0131nlar ve okuyan kad\u0131nlar\u0131n bu s\u00fcreci h\u0131zland\u0131rd\u0131\u011f\u0131n\u0131 belirtti. Taklit s\u00fcrecinde kad\u0131nlar\u0131n gazete yaz\u0131lar\u0131, roman ve hikaye denemeleri yaparak kad\u0131nl\u0131k sorunlar\u0131na uyand\u0131\u011f\u0131n\u0131 ifade etti.<\/p>\n\n\n\n

Prof. Dr. Argun\u015fah kendini bulma s\u00fcrecinde ise me\u015frutiyet, sava\u015flar ve erken cumhuriyet y\u0131llar\u0131nda kad\u0131nlar\u0131n sosyal ve siyasal sorunlara a\u00e7\u0131ld\u0131\u011f\u0131n\u0131, hak aray\u0131\u015flar\u0131na ba\u015flad\u0131\u011f\u0131n\u0131 ve ulusun annesi olma rol\u00fcn\u00fc \u00fcstlendiklerini anlatt\u0131. Prof. Dr. Argun\u015fah, halk edebiyat\u0131nda mahlas ve ad\u0131 belli olmayan \u015fairlerin b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131n kad\u0131n \u015fairler olabilece\u011fine dair ilgi \u00e7ekici bir teoriden de bahsetti.<\/p>\n\n\n\n

Prof. Dr. Argun\u015fah, kad\u0131n yazarlar\u0131n imza kullan\u0131m\u0131yla ilgili sorunlar\u0131na de\u011findi. Kad\u0131nlar\u0131n bazen erkek imzas\u0131 arkas\u0131na s\u0131\u011f\u0131nd\u0131\u011f\u0131n\u0131, imzas\u0131z veya yar\u0131 belirgin imzalar kulland\u0131\u011f\u0131n\u0131 belirtti. Kendi imzas\u0131yla yazan kad\u0131nlar\u0131n yazmaya te\u015fvik edildi\u011fini s\u00f6yledi.<\/p>\n\n\n\n

Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah, kad\u0131nlara y\u00f6nelik ilk s\u00fcreli yay\u0131nlar\u0131n Terakki-i Muhadderat (1869), Han\u0131mlar, \u015e\u00fck\u00fcfezar ve Par\u00e7a Boh\u00e7as\u0131 oldu\u011funu vurgulad\u0131. Modern edebiyat\u0131n ilk kad\u0131n yazarlar\u0131n\u0131 Zafer Han\u0131m, Fatma Aliye Han\u0131m, Emine Semiye Han\u0131m, G\u00fczide Sabri, Halide Edip, M\u00fcfide Ferit, Nezihe Muhittin, \u015eair Nigar Han\u0131m ve Makbule Leman olarak s\u0131ralad\u0131. Kad\u0131nlar\u0131n edebiyatta kabul g\u00f6rmesi ve sosyal alanda daha etkin olmalar\u0131n\u0131n, kendi g\u00f6zlem ve deneyim alanlar\u0131n\u0131 olu\u015fturmalar\u0131 ve kendi dillerini kurarak kendilerini anlatan eserler yazmalar\u0131yla m\u00fcmk\u00fcn oldu\u011funu ifade etti.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Konferans\u0131n sonunda Prof. Dr. H\u00fclya Erayd\u0131n Argun\u015fah\u2019a  \u0130nsan ve Toplum Bilimleri Fak\u00fcltesi Tarih B\u00f6l\u00fcm\u00fc Prof. Dr. Dekan Mehmet Serhat Y\u0131lmaz belge takdim etti.<\/p>\n\n\n\n

Haber-Foto\u011fraf: Tu\u011f\u00e7e Karafak\u0131o\u011flu<\/p>\n","protected":false},"excerpt":{"rendered":"

Kastamonu \u00dcniversitesi\u2019nde \u201cT\u00fcrk Edebiyat\u0131nda Kad\u0131n Yazarlar\u0131n Ser\u00fcveni\u201d konulu konferans d\u00fczenlendi.<\/p>\n","protected":false},"author":1,"featured_media":14154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[304],"tags":[],"_links":{"self":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14390"}],"collection":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=14390"}],"version-history":[{"count":6,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14390\/revisions"}],"predecessor-version":[{"id":14494,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14390\/revisions\/14494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/14154"}],"wp:attachment":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=14390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=14390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=14390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}