{"id":16216,"date":"2024-11-30T15:58:26","date_gmt":"2024-11-30T12:58:26","guid":{"rendered":"https:\/\/gazete.kastamonu.edu.tr\/?p=16216"},"modified":"2024-11-30T16:01:23","modified_gmt":"2024-11-30T13:01:23","slug":"yakup-kadri-karaosmanoglu-kastamonu-universitesinde-anildi-birinci-oturum","status":"publish","type":"post","link":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/yakup-kadri-karaosmanoglu-kastamonu-universitesinde-anildi-birinci-oturum\/","title":{"rendered":"Yakup Kadri Karaosmano\u011flu, Kastamonu \u00dcniversitesi\u2019nde Panel ile An\u0131ld\u0131 (Birinci Oturum)"},"content":{"rendered":"\n

Kastamonu \u00dcniversitesi \u0130nsan ve Toplum Bilimleri Fak\u00fcltesi T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc ve K\u00fclt\u00fcr Sanat Uygulama ve Ara\u015ft\u0131rma Toplulu\u011fu taraf\u0131ndan \u2018\u2019 \u00d6l\u00fcm\u00fcn\u00fcn 50. Y\u0131l\u0131nda Yakup Kadri Karaosmano\u011flu Paneli” ger\u00e7ekle\u015ftirildi. Hoca Ahmet Yesevi K\u00fclt\u00fcr Merkezi \u00d6t\u00fcken Salonu\u2019nda d\u00fczenlenen panel, sayg\u0131 duru\u015fu ve \u0130stiklal Mar\u015f\u0131\u2019n\u0131n okunmas\u0131 ile ba\u015flad\u0131.<\/p>\n\n\n\n

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Birinci oturumda moderat\u00f6rl\u00fc\u011f\u00fcn\u00fc, Prof. Dr. Naz\u0131m Hikmet Polat\u2019\u0131n \u00fcstlendi\u011fi panele Dr. \u00d6\u011fr. \u00dcyesi Ay\u015fe Sand\u0131kkaya, Do\u00e7. Dr. \u00d6zlem Nemutlu, Do\u00e7. Dr. Onur Hasdedeo\u011flu ve Ar\u015f. G\u00f6r. \u00c7a\u011fla Akar konu\u015fmac\u0131 olarak kat\u0131ld\u0131.<\/p>\n\n\n\n

Panel, Kastamonu \u00dcniversitesi K\u00fclt\u00fcr Sanat Uygulama ve Ara\u015ft\u0131rma Merkezi M\u00fcd\u00fcr\u00fc Do\u00e7. Dr. Zeki G\u00fcrel\u2019in Yakup Kadri Karaosmano\u011flu\u2019nun hayat hikayesi hakk\u0131nda kat\u0131l\u0131mc\u0131lara bilgi vermesi ile ba\u015flad\u0131. Yakup Kadri\u2019nin 1889 tarihinde Kahire\u2019de do\u011fdu\u011funu 13 Aral\u0131k 1974\u2019te Ankara\u2019da vefat etti\u011finin alt\u0131n\u0131 \u00e7izen Do\u00e7. Dr. G\u00fcrel, d\u00fczenlenen panelin \u00f6nemine dikkat \u00e7ekerek, etkinli\u011fi bir “vefa borcu” olarak nitelendirdi. Yakup Kadri\u2019nin d\u00f6neminde ya\u015fanan olaylar\u0131n do\u011fru bir \u015fekilde aktar\u0131lmas\u0131n\u0131n gereklili\u011fini vurgulayan Do\u00e7. Dr. G\u00fcrel, bu t\u00fcr etkinliklerin, yeni nesle rehberlik etmesi ve devam edecek bir yol haritas\u0131 sunmay\u0131 hedefledi\u011fini aktard\u0131. Yakup Kadri\u2019nin 60 y\u0131ll\u0131k hayat\u0131na s\u0131\u011fd\u0131rd\u0131\u011f\u0131 \u00f6d\u00fcll\u00fc romanlar, gazete yaz\u0131lar\u0131, hikayeler ve Hasan Ali Y\u00fccel\u2019e yazd\u0131\u011f\u0131 mektuplardan s\u00f6z eden Do\u00e7. Dr. G\u00fcrel, bu eserlerin okunmas\u0131n\u0131n \u00f6nemine i\u015faret ederek kat\u0131l\u0131mc\u0131lar\u0131n konu\u015fmac\u0131lar\u0131n yapaca\u011f\u0131 sunumlardan faydalanmas\u0131 gerekti\u011fini s\u00f6yleyerek konu\u015fmas\u0131n\u0131 bitirdi.<\/p>\n\n\n\n

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Moderat\u00f6r Prof. Dr. Naz\u0131m Hikmet Polat, Do\u00e7. Dr. Zeki G\u00fcrel\u2019in s\u00f6ylediklerine kat\u0131ld\u0131\u011f\u0131n\u0131 ifade ederek panel sonunda Yakup Kadri\u2019yi \u00e7ok iyi tan\u0131m\u0131\u015f olarak salondan ayr\u0131lmalar\u0131n\u0131 umdu\u011funu s\u00f6yleyerek panel konu\u015fmac\u0131lar\u0131n\u0131 tan\u0131tt\u0131. <\/p>\n\n\n\n

Kastamonu \u00dcniversitesi \u0130nsan ve Toplum Bilimleri Fak\u00fcltesi T\u00fcrk Dili ve Edebiyat B\u00f6l\u00fcm\u00fc Dr. \u00d6\u011fr. \u00dcyesi Ay\u015fe Sand\u0131kkaya, Yakup Kadri\u2019nin hikaye ve tiyatrolar\u0131n\u0131 sosyal de\u011fi\u015fim \u00fczerinden ele ald\u0131. Sosyal de\u011fi\u015fimi anlamak i\u00e7in \u00f6nce toplumdan bahsedece\u011fini aktaran Dr. \u00d6\u011fr. \u00dcyesi Sand\u0131kkaya, toplumun ayn\u0131 toprak par\u00e7as\u0131 \u00fczerinde ya\u015fayan insanlar\u0131n ortak duygu, d\u00fc\u015f\u00fcnce ve inan\u0131\u015f etraf\u0131nda bir araya gelmesiyle olu\u015fan ve onlar\u0131 bir arada tutan de\u011ferlere s\u0131k\u0131 s\u0131k\u0131ya ba\u011fl\u0131 olan insanlar\u0131n t\u00fcm\u00fc oldu\u011funu s\u00f6yledi.<\/p>\n\n\n\n

Dr. \u00d6\u011fr. \u00dcyesi Ay\u015fe Sand\u0131kkaya, Yakup Kadri Karaosmano\u011flu’nun hik\u00e2yelerinde ve romanlar\u0131nda sosyal de\u011fi\u015fimin izleri oldu\u011funu aktard\u0131. Dr. \u00d6\u011fr. \u00dcyesi Sand\u0131kkaya, yazar\u0131n Hikayeler kitab\u0131ndaki Masum Katiller hikayesinde toplumsal yap\u0131y\u0131 ve de\u011fi\u015fimleri g\u00f6rd\u00fc\u011f\u00fcn\u00fc s\u00f6yleyerek Yakup Kadri\u2019nin, \u00f6zellikle Balkan Sava\u015flar\u0131 ve Kurtulu\u015f Sava\u015f\u0131 gibi kritik olaylara bizzat tan\u0131k oldu\u011funu, eserlerinde de genellikle aile, aile bozulmalar\u0131, k\u0131l\u0131k-k\u0131yafet, az\u0131nl\u0131klar gibi unsurlar\u0131 \u00e7ok\u00e7a i\u015fledi\u011fine de\u011findi.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Yakup Kadri\u2019nin aile, aile ili\u015fkileri, teknolojik de\u011fi\u015fimler, az\u0131nl\u0131klardaki de\u011fi\u015fim konular\u0131 \u00fczerine hikayeler yazd\u0131\u011f\u0131n\u0131 dile getiren Dr. \u00d6\u011fr. \u00dcyesi Sand\u0131kkaya, Yakup Kadri\u2019nin bu de\u011fi\u015fimleri yazarak hem kendi g\u00fcn\u00fcne, hem bug\u00fcn\u00fcne, hem de gelece\u011fe \u0131\u015f\u0131k tutmu\u015f bir yazar oldu\u011funu s\u00f6yleyerek konu\u015fmas\u0131n\u0131 bitirdi.<\/p>\n\n\n\n

Moderat\u00f6r Prof. Dr. Naz\u0131m Hikmet Polat, Kiral\u0131k Konak romandaki sosyal de\u011fi\u015fimlerini anlatt\u0131. Konu ve tema bak\u0131m\u0131ndan, hatta teknik bak\u0131mdan hepsini i\u00e7ine alan bir metin oldu\u011funu aktaran Prof. Dr. Polat, bu eserin sosyal de\u011fi\u015fim konusu olarak en ba\u015far\u0131l\u0131 metin oldu\u011funu vurgulad\u0131. Tarihin, Yakup Kadri\u2019nin \u00f6n\u00fcne toplumsal de\u011fi\u015fimi i\u015flemeyi g\u00f6rev olarak koydu\u011funu dile getiren Prof. Dr. Polat, o g\u00f6reve en lay\u0131k olan ki\u015fin Yakup Kadri oldu\u011funu da s\u00f6zlerine ekledi.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Yakup Kadri\u2019nin \u00e7evre dikkatinin oldu\u011funu, farkl\u0131 k\u00fclt\u00fcrleri idrak ederek kalemi eline ald\u0131\u011f\u0131n\u0131 s\u00f6yleyen Prof. Dr. Polat, Yakup Kadri\u2019nin ortaokul y\u0131llar\u0131nda Frans\u0131zca’y\u0131 ana dili gibi konu\u015ftu\u011funu belirterek bat\u0131 edebiyat\u0131yla irtibat\u0131n\u0131n son derece ileri oldu\u011funa de\u011findi. Kiral\u0131k Konak\u2019ta bir ailenin y\u0131k\u0131l\u0131\u015f\u0131n\u0131n ele al\u0131nd\u0131\u011f\u0131n\u0131 belirten Prof. Dr. Polat, Yakup Kadri\u2019nin bu konakla hem bir aileyi hem de Osmanl\u0131y\u0131 temsil ettirdi\u011fini s\u00f6yledi.<\/p>\n\n\n\n

Prof. Dr. Polat, Yakup Kadri’nin roman\u0131nda hem Naim Efendi gibileri hem de Seniha gibilerini ele\u015ftirdi\u011fini belirtti. Naim Efendi gibi geride kalanlar\u0131n\u0131n a\u00e7\u0131k\u00e7a g\u00f6r\u00fcld\u00fc\u011f\u00fcn\u00fc ifade eden Prof. Dr. Polat, her insan\u0131n eksiklerinin oldu\u011funu ve ilerleyen d\u00fcnyada kendini yenilemesi ve ilerlemesi gerekti\u011fini vurgulad\u0131. Seniha’n\u0131n ise d\u00f6nemin yeni t\u00fcreyen bir \u00f6rne\u011fi olarak romanda yerle\u015fti\u011fini s\u00f6yledi. Seniha’n\u0131n doyumsuz ve vurdumduymaz bir ki\u015filik sergiledi\u011fini dile getiren Prof. Dr. Polat, \u2018\u2019Dedesi taraf\u0131ndan \u015f\u0131mart\u0131lmas\u0131, yard\u0131m edilmesi belki de onun hayata kar\u015f\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131nda etkili olmu\u015ftur. Ancak ne olursa olsun Seniha ve onun temsil etti\u011fi zihniyet ortadan kalkmam\u0131\u015ft\u0131r ve de\u011fi\u015fim ge\u00e7irerek devam etmi\u015ftir.\u2019\u2019 dedi.<\/p>\n\n\n\n

Prof. Dr. Polat, Yakup Kadri\u2019nin \u2018\u2019Sanat \u015fahs\u00ee ve muhteremdir! Y\u0131llarca bu akidenin ne\u015fri i\u00e7in okumad\u0131\u011f\u0131m kitap, ba\u015fvurmad\u0131\u011f\u0131m \u00e2lim kalmad\u0131. Bu co\u015fkunlu\u011fum, sanat perisi yolunda bu serdenge\u00e7tili\u011fim, ilk mill\u00ee fel\u00e2ketimiz olan Balkan harbine kadar, b\u00fct\u00fcn ate\u015fiyle devam etti. Fakat ne vakit ki \u00c7atalca \u00f6n\u00fcne dayanan d\u00fc\u015fman toplar\u0131n\u0131n sesini t\u00e2 yata\u011f\u0131m i\u00e7inden i\u015fitme\u011fe ba\u015flad\u0131m, hisseder gibi oldum ki, hayatta benim yapt\u0131\u011f\u0131m m\u00fccadeleden daha m\u00fchimleri vard\u0131r. Balkan Harbi\u2019ni daha bir s\u00fcr\u00fc mill\u00ee fel\u00e2ketler takip etti. Ben gene \u2018sanat \u015fahs\u00ee ve muhteremdir\u2019 diyordum. Fakat, onun yan\u0131 ba\u015f\u0131nda, hi\u00e7 de\u011filse onun kadar \u015fahs\u00ee ve muhterem \u015feyler olabilece\u011fini de d\u00fc\u015f\u00fcnme\u011fe ba\u015flam\u0131\u015ft\u0131m. Nihayet 1914, 1918 geldi. Garp imperialismas\u0131n\u0131n kandan ve ya\u011fmadan g\u00f6z\u00fc d\u00f6nm\u00fc\u015f kurt s\u00fcr\u00fcleri, b\u00fct\u00fcn vah\u015fetiyle bizim zavall\u0131 a\u011f\u0131llar\u0131m\u0131z\u0131n \u00fcst\u00fcne de sald\u0131rd\u0131 ve ortada, ne edeb\u00ee cemiyetlerden, ne mukaddes sanat dav\u00e2lar\u0131ndan eser kald\u0131. O zaman, art\u0131k, b\u00fct\u00fcn ac\u0131 sarahatiyle anlad\u0131m ki, istikl\u00e2li u\u011frunda o derecede ter d\u00f6kt\u00fc\u011f\u00fcm sanat, evvel\u00e2 bir cemiyetin, bir milletin mal\u0131d\u0131r. Sonra da nihayet bir devrin ifadesidir. Bunlardan tecrit edilmi\u015f bir sanat\u0131n ne man\u00e2s\u0131, ne k\u0131ymeti vard\u0131r. M\u00fcstakil sanat, m\u00fcstakil vatanda olabilir.\u2019\u2019 s\u00f6zlerini hat\u0131rlatarak sosyal de\u011fi\u015fimin \u00f6nemine vurgu yapt\u0131.<\/p>\n\n\n\n

\u00a0\u0130nsan ve Toplum Bilimleri Fak\u00fcltesi Ara\u015ft\u0131rma G\u00f6revlisi \u00c7a\u011fla Akar, Nur Baba roman\u0131n\u0131 sosyal de\u011fi\u015fim a\u00e7\u0131s\u0131ndan yorumlad\u0131. Nur Baba i\u00e7in ailesini terk ederek dergaha yerle\u015fen Nigar \u00fczerinden hem s\u00f6z konusu ili\u015fkilerin yaratt\u0131\u011f\u0131 ahlaki \u00e7\u00f6k\u00fcnt\u00fcye hem de bir ailenin nas\u0131l par\u00e7aland\u0131\u011f\u0131na dikkat \u00e7eken Ar\u015f. G\u00f6r. \u00c7a\u011fla Akar, Nigar\u2019\u0131n kayb\u0131n\u0131n sadece e\u015fi ve \u00e7ocuklar\u0131 olmad\u0131\u011f\u0131na de\u011findi. Ya\u015fan\u0131lanlardan duydu\u011fu \u00fcz\u00fcnt\u00fcden \u00f6t\u00fcr\u00fc annesini de kaybetti\u011fini s\u00f6yleyen Akar, bunun \u00fczerine bir de Nur Baba nezdinde de bir zamanlar sahip oldu\u011fu ilgi ve alakay\u0131 kaybetmenin de eklenece\u011fine de\u011findi.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Do\u00e7. Dr. \u00d6zlem Nemutlu, Yakup Kadri\u2019nin H\u00fck\u00fcm Gecesi roman\u0131n\u0131 sosyal de\u011fi\u015fim konusu \u00fczerinden ele alarak 1927 tarihli bir eser oldu\u011funu, Yakup Kadri’nin bir zamanlar ayn\u0131 safta yer ald\u0131\u011f\u0131 \u0130ttihat ve Terakki Cemiyetine ve muhalefete ele\u015ftirilerini y\u00f6neltti\u011fi bir eseri oldu\u011funu anlatt\u0131.<\/p>\n\n\n\n

H\u00fck\u00fcm Gecesi\u2019nde Ahmet Kerim\u2019i ele alan Do\u00e7. Dr. \u00d6zlem Nemutlu, d\u00f6nemin \u015fartlar\u0131n\u0131n, sosyal ve siyasi hayat\u0131n\u0131n da g\u00f6z \u00f6n\u00fcnde tutulmas\u0131 gerekti\u011fini, roman\u0131n \u0130ttihat Terakki ile H\u00fcrriyet ve \u0130tilaf F\u0131rkas\u0131’n\u0131n siyasi \u00e7eki\u015fmesini ele al\u0131rken, suikaste kurban giden gazetecilere, d\u0131\u015f bor\u00e7lara, ki\u015fisel \u00e7\u0131karlara, siyasi hatalara, parlementer sistemin yozla\u015fmas\u0131na da g\u00fc\u00e7l\u00fc g\u00f6ndermeler yapt\u0131\u011f\u0131n\u0131 belirtti. Do\u00e7. Dr. \u00d6zlem Nemutlu, H\u00fck\u00fcm Gecesi\u2019ni okumadan Yakup Kadri hakk\u0131nda h\u00fck\u00fcm vermenin m\u00fcmk\u00fcn olmad\u0131\u011f\u0131n\u0131 dile getirdi.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Do\u00e7. Dr. Mehmet Onur Hasdedeo\u011flu, Sodom ve Gomore roman\u0131n\u0131 ele alarak bir sunum ger\u00e7ekle\u015ftirerek bu roman\u0131n Kiral\u0131k Konak roman\u0131n\u0131n devam\u0131 niteli\u011finde oldu\u011funu belirtti.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u0130ncil\u2019e g\u00f6re \u00dcrd\u00fcn\u2019\u00fcn iki \u015fehri olan \u201cSodom\u201d ve \u201cGomore\u201d ahlaki bak\u0131mdan iyice \u00e7\u00f6kt\u00fc\u011f\u00fc ve \u00e7\u00fcr\u00fcd\u00fc\u011f\u00fc i\u00e7in Allah\u2019\u0131n gazab\u0131na u\u011frad\u0131\u011f\u0131n\u0131 ve yerle bir oldu\u011funa de\u011finerek, Yakup Kadri Karaosmano\u011flu\u2019nun yazd\u0131\u011f\u0131 bu romanda, m\u00fctareke y\u0131llar\u0131nda \u0130stanbul\u2019daki baz\u0131 \u00e7evrelerin de ahlaki, milli ve manevi de\u011ferlerini kaybetmi\u015f oldu\u011funu s\u00f6yleyen Do\u00e7. Dr. Hasdedeo\u011flu, bu y\u00f6n\u00fcyle Yakup Kadri\u2019nin \u0130stanbul’u bu eserde\u00a0 Sodom ve Gomore ile \u00f6zde\u015fle\u015ftirdi\u011fini dile getirdi. M\u00fctareke y\u0131llar\u0131nda i\u015fgal alt\u0131ndaki \u0130stanbul\u2019un daha \u00e7ok i\u015fbirlik\u00e7i kesimini yans\u0131tan bu romanda, c\u00f6mert\u00e7e a\u00e7\u0131lan \u201csalon\u201dlardaki i\u00e7ki \u00e2lemleri, g\u00f6n\u00fcl ili\u015fkileri ve hovardal\u0131klar\u0131n sergilendi\u011fini vurgulayan Do\u00e7. Dr. Hasdedeo\u011flu, Necdet karakterinin g\u00f6r\u00fcp ge\u00e7irdi\u011fi say\u0131s\u0131z olaylar\u0131n etkisiyle zay\u0131fl\u0131ktan kurtularak, kendisini ba\u011flayan bireysel \u015fuuru milli \u015fuur i\u00e7inde eriterek hakiki bir milliyetperver olmay\u0131 ba\u015fard\u0131\u011f\u0131n\u0131 ve bu yeni Necdet’in kozmopolit Sami Bey\u2019leri tan\u0131mad\u0131\u011f\u0131n\u0131, iyile\u015ferek d\u00f6nen ve kendisini avu\u00e7lar\u0131 i\u00e7ine almay\u0131 \u00e7al\u0131\u015fan Leyla\u2019n\u0131n da art\u0131k onun i\u00e7in hi\u00e7bir ifade etmedi\u011fini anlatt\u0131.<\/p>\n\n\n\n

Kastamonu \u00dcniversitesi \u0130nsan ve Toplum Bilimleri Fak\u00fcltesi Dekan\u0131 Prof. Dr. Mehmet Serhat Y\u0131lmaz, taraf\u0131ndan kat\u0131l\u0131mc\u0131lara kat\u0131l\u0131m belgesi takdim edildi.<\/p>\n\n\n\n

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Toplu foto\u011fraf \u00e7ekiminin ard\u0131ndan birinci oturum sona erdi.<\/p>\n\n\n\n

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Haber: Tu\u011f\u00e7e Karafak\u0131o\u011flu \u2013 Mustafa \u015eahin<\/p>\n\n\n\n

Foto\u011fraf: Tu\u011f\u00e7e Karafak\u0131o\u011flu<\/p>\n","protected":false},"excerpt":{"rendered":"

Kastamonu \u00dcniversitesi’nde “\u00d6l\u00fcm\u00fcn\u00fcn 50. Y\u0131l\u0131nda Yakup Kadri Karaosmano\u011flu Paneli” d\u00fczenlendi.<\/p>\n","protected":false},"author":1,"featured_media":16210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[305,304],"tags":[531,313],"_links":{"self":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16216"}],"collection":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=16216"}],"version-history":[{"count":7,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16216\/revisions"}],"predecessor-version":[{"id":16274,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16216\/revisions\/16274"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/16210"}],"wp:attachment":[{"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=16216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=16216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gazete.kastamonu.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=16216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}